Journal of Chinese and Foreign Languages, Literature and Art Research
Journal of Chinese and Foreign Languages, Literature and Art Research. 2025; 2: (1) ; 10.12208/j.jlar.20250002 .
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*通讯作者： Jie Xue,单位：上海宁瑞投资信息咨询有限公司 上海; ；
林海音和张爱玲是二十世纪中国杰出的两位女性作家。她们的文学作品与北京和上海这两个地方密不可分，因为她们分别生活在北京和上海，而这两个地方也成为了她们文学创作中不可或缺的一部分。同时，作为女性作家，她们以独特的女性视角探讨了性别问题、婚姻和人生。林海音和张爱玲分别出生于五四运动的前一年和后一年，成长于动荡的时代氛围中，并深受新文学的影响。林海音继承了五四时期女性作家的温情脉脉，语言运用充满同情心。与林海音将和谐视为看待性别关系的前提不同，张爱玲由于父母婚姻不和，在她心中留下了伤痕，因此她更强调两性之间的尖锐冲突，这使得她的文学创作更具前卫性。
Lin Hai-yin and Eileen Chang were two outstanding models of female writers in twentieth-century China. Their literary works were inextricably linked with these places because they were living in Beijing and Shanghai; it also became an indispensable part of their literature. Meanwhile, as female writers, they bring a distinct viewpoint on gender issues, marriage, and life via their female perspective. On the other hand, Lin and Chang were born the year before and the year after the May Fourth Movement, respectively, and grew up in the turbulent atmosphere of the times while also being baptized by the new literature. Lin employed language sympathetically since she inherited the gentle pulse of the May Fourth women writers. Unlike Lin, who considered harmony as the precondition to regard gender relations, Chang emphasized the sharp conflict between genders because of her parents’ disharmonious marriage, which imprinted a nick in her heart, therefore Chang has more avant-garde in her literary creation.
[1] Chang, E. (2006). My own writing. Beijing: Jinghua Press.
[2] Chang, E. (2021). Legend. Beijing: Beijing October Art & Literature and Art Publishing House.
[3] Chang, E. (2020). Naked earth. Taipei: Crown Culture Corporation.
[4] Lin, H.-Y. (1997). Gold carp's pleated skirt. Hangzhou: Zhejiang Literature and Art Press.
[5] Chang, E. (2020). The rice sprout song. Taipei: Crown Culture Corporation.
[6] Lin, H.-Y. (1980). Buried with the dead (J. P. Yang, Trans.). The Chinese Pen, 34(Winter), 33-61.
[7] Lin, H.-Y. (2018). My memories of old Beijing. Beijing: People's Literature Publishing House.
[8] Lin, H.-Y. (1990). Candle. In A. C. Carver & S.-s. Y. Chang (Eds.), Bamboo shoots after the rain: Contemporary stories by women writers of Taiwan (pp. 7-25). New York: The Feminist Press.
[9] Chang, E. (2017). Love in a fallen city (K. S. Kingsbury, Trans.). New York: NYRB Classics. (Original work published 1943)
[10] Chang, E. (2019). The red rose and the white rose. Beijing: Beijing October Art & Literature and Art Publishing House.
[11] Chang, E. (2019). Eighteen springs. Beijing: Beijing October Art & Literature and Art Publishing House.
[12] Lu, X. (2022). The diary of a madman. Beijing: People's Literature Publishing House.