The connotations of the moon image in Luo Binwang’s travel poems
骆宾王行旅诗中“月”意象的内涵

摘要

骆宾王是初唐诗坛上亲历边疆生活的诗人，并以独特视角创作了大量的行旅诗，书写了边塞地区的自然环境和地域文化。他善于摄取“月”入诗，借月抒怀，“月”是骆宾王行旅诗中突出的意象。月意象在其诗呈现两大基本形态：一是自然之月，凸显边疆的自然物候；二是心中之月，通过月意象书写个人的政治理想与情感体验，承载诗人的思乡、壮志与忧愤。月的升、悬、落构成时间轴，贯穿诗歌叙事，增强诗歌的抒情性。这些具有个人特色的行旅诗，对唐代同类作品产生了深远的影响。综现已有成果，骆宾王诗歌已形成较为丰富的学术成果，但专门聚焦其行旅诗研究较少，尤其是其行旅诗中“月”意象的研究。

Abstract

As a poet of the early Tang Dynasty who experienced frontier life firsthand, Luo Binwang composed numerous travel poems from a unique perspective, depicting the natural landscapes and regional cultures of borderlands. He was adept at incorporating the moon into his verses to express his inner feelings, rendering the moon a prominent image in his travel poetry. The moon image manifests itself in two fundamental forms in his works: the natural moon, which highlights the natural phenology of frontier regions; and the moon of the inner mind, through which the poet articulates his political aspirations and emotional experiences, embodying his longing for hometown, lofty ideals and pent-up grief. The rising, hanging and setting of the moon form a timeline that runs through the narrative of his poems and intensifies their lyrical quality. These distinctive travel poems exerted a profound influence on subsequent works of the same genre in the Tang Dynasty. A comprehensive review of existing research reveals that abundant academic achievements concerning Luo Binwang’s poetry have been accumulated. Nevertheless, few studies specifically focus on his travel poems, and research centering on the moon image within his travel verses is particularly scarce.